
Osc
Basic shapes or band-limited harmonic tables, written by hand or by formula. Pitch, amp and drive move on curves you draw.
Drop in any hit - a kick, a snare, a conga - and Rhythmica rebuilds it as its own synth patch instead of playing the sample back. Every layer stays editable, and a step sequencer plays the kit.
Samples are frozen. A synth patch moves: retune it, shorten it, push its drive, and it still sounds like itself. Rhythmica measures a recording and writes the layers that make it.
A one-shot from your library, or a slice cut from a break. Press
Resynthesize and pick the sound it lands on.
The body's pitch sweep and level are read off the hit; the click and the ring become phase-locked partials. No model in the loop.
The result is plain layers - an Osc, a Partials bank, curves you can drag - in the same editor as everything else.
Each zone is a stack of layers, each layer one source with its own FX chain. A kick is not a special mode - it is a layout you can take apart.

Basic shapes or band-limited harmonic tables, written by hand or by formula. Pitch, amp and drive move on curves you draw.

A bank of sine lines, each with its own pitch, level and decay. Cymbals, rings and clicks rebuilt line by line.

Hundreds of tiny impacts shaped by a density curve and a material. Shakers, claps, sizzle.

Physically informed: an exciter - impulse, noise, impact or particles - driving up to three modal bodies.

Circuit-level ports of classic drum machine voices: pinged resonators, gated VCOs, filter pings.
Every zone gets a lane, level with its row in the kit. Program a groove, lock any parameter to a step, and chain patterns into a song.

Rhythmica is in private beta. We send links by hand to producers and sound designers - tell us what you make and we will get you in.